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YOUR SHOW

    AT THE THEATER OF THE OPPRESSED 

 

Dear Artists,

Many of you have sent us your project proposals to programmation@theatredelopprime.com, (between 550 and 750 per year) and we thank you for it… 589 proposals for the 2025-2026 season and more than 795 proposals for the upcoming 2026-2027 season.

Generally, the period in which the programming committee meets to discuss your projects (plays, residencies, workshops, etc) is between the months of January and March. Because of this, we apologise if we are unable to give you a response or an appointment during this period of time

As of now, after interviews with the candidates for the pre-selection process; we have finalized the program (shows and residencies) for the 2026-2027 season. The selected companies are in the process of being informed.

⚠ ATTENTION : The program for the 2026-2027 season is complete (applications are now closed)

Application calendar for the 2026-2027 season:

  1. Period of pre-selection for projects by the selection committee (reading files/applications): from February to the middle of March 2026 

  2. Meeting period (in-person or virtual) with the selected candidates: middle of March to the beginning of April 2026

  3. Final deliberation and announcement of selected projects: sometime in April 2026

⚠ ATTENTION : All new applications received after March 1, 2026 will be processed at the beginning of 2027 for the 2027-2028 season (same selection period detailed above)

  • Concerning the Festival Pleins Feux sur la jeune création 2026, the projects have already been selected. The program has been finalized.

  • Concerning the MigrActions Festival - 19th edition (June 25  through July 3, 2026), the projects have been chosen and the companies have already received the program confirmation. The program has been finalized.

✨Companies selected : Season 2026-2027✨

... list coming soon ...

✨Companies selected : Season 2025-2026 ✨

Associação CIACEN ; Collectif 2 Plus ; Cie. Jamais je ne dirai mon nom ; Cie. Chairs Fraîches ; Le Super Comedy Club ; Cie. Les chants égarés ; Cie. Spectacle-Laboratoire ; Cie. Njord ; Cie. le Roi des Fous ; Cie. Nutritive ! ; Cie. des Invisibles pour les yeux ; Cie. Théâtre de l’Opprimé ; Cie. Rouge et Vert ; Cie. La Traverse ; Cie. Ode et Lyre ; Asso. Al Alma France ; Compañía (...) Teatro ; El Círculo Teatral ; Cie. des Engivaneurs ; Cie. A force de rêver ; Maison d'Europe et d'Orient ; Asso. Aparté ; Cie. Le Musée Mouvant d’un Vécu Toujours Vivant ; Cie De L'Aube à Minuit ; Cie. Die des As ; Aberratio Mentalis ; Cie. Mâle Domestique ; La Compagnie Des CriArts ; Cie. Le Théâtre des Silences ; Cie. La Compagnie de l'Être à Poil(s) ; Cie. Décor à Corps...

et, bien évidement, les Jeudis Midi des E.A.T. !

Thank you to all of the companies that have contacted us this year. For the chosen companies, welcome! And for those who we could not fit into the program this year, we wish you success for your projects!​

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For more information, here are the instructions to follow to propose a project to us:

You can send your files, recordings, photos…

Please specify in the subject of the email if you are applying for the program of the season or for one of our festivals (MigrActions, Spotlight on young creation)

⚠ Attention – Important Information ⚠

Before sending us your proposal, please take into account the following information:

  • Check if your show can adapt to the technical conditions and dimensions of our room:  our technical sheet

  • Note that acoustically, your shows cannot exceed 100 dB. The room is acoustically insulated just enough for the human voice and acoustic musical instruments (example: acoustic guitar, flute, etc.). Thus, it is impossible for us to host shows with amplified or percussion instruments (example: electric guitar, drums, etc.) or which use bass in the pre-recorded soundtracks.

  • The Theater of the Oppressed does not purchase performances of shows. We work in co-production: 50% of the revenue for the hosted company, 50% of the revenue for the Theater. There is no guaranteed minimum.

  • The room has no wings on the sides and the back of the stage. The back of the room is a rough stone wall. The floor is concrete (there is no dance floor). The public entrance is on the stage area.

  • Our technical director is there during the set-up and dismantling of the shows, but does not provide the management. Each company must arrive with its own manager.

  • Our programming consists of theater shows, any other type of show can be considered only for the MigrActions Festival.

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